I treat the recurring human-like silhouettes not as figures, but as spatial anchors.
The operate as minimal indicators of presence without fixing identity. By withholding narrative specificity, they allow the viewer to register proximity, scale and orientation rather than story.
They mark a position in space. This restraint is intentional. It keeps the work within perceptual inquiry rather than symbolic illustration.
The operate as minimal indicators of presence without fixing identity. By withholding narrative specificity, they allow the viewer to register proximity, scale and orientation rather than story.
They mark a position in space. This restraint is intentional. It keeps the work within perceptual inquiry rather than symbolic illustration.
